Amen - Imprrressive Stuff!

Theatre: Gopalan Grand Mall, Bangalore
Show: 23-Mar-2013, 6:45 PM
Status: Around 90%

Does your head explode when someone mentions flatulence? Are you the elusive fairy who does not poop? If your answer to either or both the questions is yes, then its probably good for you to stay away from Amen. Sick of seeing an awesome movie get stick for a few harmless jokes. May be one joke too far, but if that sticks out in your head after 2:30 hours of sheer art, then I guess you should not be watching it in the first place.

Lijo has sculpted a beauty and he has raised his game several notches up from City of God, one of the best films in 2011. Though the film is thoroughly rooted in fantasy, you just feel that a such a village exist somewhere in the backwaters of Kerala. Characters never feel wooden with their own little quirks and agendas. Lijo has simply transformed the written script into a living and breathing entity. Pure magic. He has had ample support from the cameraman and art director. All three on top of their game and perfectly complimenting each other. I have never felt such a sync between the three since Thenmavin Kombathu.

Abinandhan Ramanujam has stormed his way into the top echelons of camera men with just one film. In a crowded space filled with superlative talent, he has made his indelible mark. Jaw dropping would be the word to use. To be honest, Amen would be the best work to showcase the beauty of Kuttanadu to the outside world. He has been adept not just in capturing the landscape, but the people as well.

Art director Bava deserves an applause for a terrific job. Props look perfect for the mood of the film and the setting feels authentic. I believe that the church is a set and hats off to him for giving a mystic feel to the church. The downside might be the relatively new drums, but since I am a stranger to drum technology, cannot comment more on that.

Screenplay and dialogues by P.S.Rafique is upto the mark most of the time. However, a tighter screenplay would have bolstered the film a little bit more. The story is something we have heard over the years in several avatars, but the treatment is fresh and unique. Amen reiterates the fact that a film is not dependent on the story, but the screenplay, treatment, and direction.

Fahad is impressive as Solomon. Yet another Solomon who would be remembered by Malayalam movie lovers. Indrajith did well as Vincent Vattoli, but I felt the character had a little more space for development. Swathy as Shoshanna was good barring minor lipsync issues. Aside from the main characters, the life of Amen resides with the supporting cast. Awesome work from Joy Mathew, Sunil Sukhada, Nandu, Makarand Deshpande, Rachana, Lijo regulars et all. The list is practically endless.

Music and BGM felt apt for the subject. Another good work Prashant Pillai. The romance track and the finale competition song stands out.

Amen is a one of a kind occurrence. Relish the film for such magic is seldom seen and never created.

TL;DR: Amen is an awesome experience. Go and watch unless you yearn for the regular, recycled schtick in Malayalam cinema.

Rating: Excellent

Red Wine - For the connoisseur

Theatre - Gopalan Grand Mall, Bangalore
Show - 9:45 PM, 23-March
Status - 90-95%

I guess Salam Bappu named the film as Red Wine because of the fact that the movie like Wine requires an acquired taste and like Wine it doesn't give you an immediate high.

The film is more of a drama centred around the lives of two people than an investigative thriller. The film centers around the psychology of a murder rather than the whodunnit aspect of it. Red Wine belongs to a thin pack of realistic police stories headed by Yavanika. Its fun to watch how the investigation unfurls and thankfully stays away from political cliche though there is enough scope for it in the story. On the topic of politics, its hard to find political identity even in political thrillers these days. Red Wine stays true to an ideology and its evident from the red signature throughout the film. Though not a fan of the left, respect for the director to stay true to his beliefs without antagonizing others.

Direction is good. The director has a good idea was to what his film must be. Some shots are really good. Script is decent to good. But a little more tighter screenplay would have done wonders to the film. Camera, editing etc are upto the mark. Camera work deserves a special mention in capturing the beauty of Wayanad. The tribal colony scenes are pretty colourful. BGM is good at places, but expected better from Bijibal.

Fahad easily steals the show as Comrade Anoop. Love the way he eases into yet another different role. Arguably, the best actor around on form. Asif Ali was good. He brought a level of believable vulnerability to the character. One of his better performances. Mohanlal had an almost extended cameo. Performance is par for the course. Nothing much to do for the actor, but the star certainly lifted the quality of the film and role. Good to see him in such a role in such a film. I hope Red Wine garners enough support from the audience so that he becomes more open into  doing more such roles. The girls did well in their limited roles. The romantic pairs had great chemistry. Meghna's character was an eyesore to be honest. Lots of potential, but seriously underwritten and thus feels unwanted. Saiju and Sudheer Karamana had good roles and they played the parts to perfection.

At the end of the day Red Wine leaves you with lingering thoughts about how rampant commercialization affects the lives of people and is devoid of human touch. At least it did for me.

TL;DR: Red Wine is a decent film that focuses on the psychology behind a murder rather than give you cheap thrills.

Rating: Good (3.25/5)